Poster of Live by Night   (2016)

Boston, 1926. The '20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one-neither family nor friend, enemy nor lover-can be trusted. Beyond money and power, even the threat of prison, one fate seems most likely for men like Joe: an early death. But until that day, he and his friends are determined to live life to the hilt. Joe embarks on a dizzying...

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Live by Night (2016)

a Appian Way, Pearl Street Films and RatPac-Dune Entertainment Production in USA

STARS Ben Affleck Elle Fanning Remo Girone Brendan Gleeson Robert Glenister Matthew Maher Chris Messina Sienna Miller Miguel Zoe Saldana Chris Cooper Titus Welliver Max Casella Christian Clemenson J.D. Evermore

Crime | Drama

Rated R

View the Trailer

Sexy, Sex and Nude Scenes

Sexual activity is portrayed, but justified by context, infrequent, and without strong details.

The film contains two sexual scenes.

In the first scene, a woman is seen straddling a man, and as the camera tracks backwards, she is seen thrusting her body, moving up and down.

In the second scene, a couple engages in passionate kissing before removing their clothes, and falling into bed, with the woman moving side-ways to depict thrusting.

In both scenes, there are no details of nudity as the characters are either partially-clothed or under covers.


The film also contains brief depictions of a bare-breasted woman seen in black-and-white photographs.

Violent and Bloody Scenes

The film is peppered throughout with scenes of violence when gang members come into conflict with each other.

Most of these scenes depict the violent crimes committed by the gang members, which involve assassinations, bombings and arson.

Some of the stronger scenes depict vicious killings where victims are shot multiple times, often at pointblank range through the head, resulting in bloodshed.

Scary and Disturbing Scenes

'Live By Night' is a crime-drama set in the 1920s during America's Prohibition era, when a nation-wide ban on alcohol sale is enforced. The story centers on Joseph Coughlin, the son of a prominent police chief, who gets involved in armed robberies and later joins a criminal organisation as a gangster.

Official MPAA Rating: Rated R for strong violence, language throughout, and some sexuality/nudity


Ben Affleck's new movie could best be described as "sprawling". In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a "Godfather" style gangster epic and missed: not missed by a country mile, but missed nonetheless.

Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV's "Hustle"), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father ("Harry Potter"'s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White's moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.

Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don't feel invested in a 'journey' from the beginning of the film to the (unsatisfactory) ending. In my experience it's never a good sign when the writer considers it necessary to add a voice-over to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.

The sheer volume of players in the piece (there are about three film's worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an "oh" than an "OH!".

Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I've got the wrong film…. I'm thinking about "The Accountant". I don't know whether he filmed these films in parallel. I generally enjoy Ben Affleck's work (he was excellent in "The Town") but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a "2" on the scale. Given the double problem that he is barely credible as the "young man" returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin's shoes.

That's not to say there is not some good acting present in their all but brief supporting roles. Elle Fanning ("Trumbo", "Maleficent") in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, "The Bourne Identity") to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.

Sienna Miller ("Foxcatcher") delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana ("Star Trek") is equally effective as a Cuban humanitarian.

In summary, it's sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another "Godfather", "Goodfellas" or "Untouchables". Although this has its moments, unfortunately it's more towards the "Public Enemies" end of the genre spectrum.

(For the graphical version of this review please visit bob-the-movie-man.com. Thanks.)